Mark Lamster’s Notable Books of 2013
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Phyllis Lambert’s long-anticipated book on the making and maintenance of New York’s greatest postwar building is a unique hybrid, at once a scholarly history, a memoir of her own experience as daughter of Seagram chief Sam Bronfman, and a manifesto for civic responsibility in architecture and urban planning.
Lambert writes with precision and great passion, and largely alters the conventional wisdom about the building, giving greater credit to Philip Johnson. Her account of the building process, the development of an art program, and the efforts to protect the building are great contributions to the record.
Urban planning is the topic de jour in the design field, the subject of a raft of new titles from authors with diverse agendas. Chakrabarti's is among the most readable and cogent of the recent offerings. Pitched as a manifesto, A Country of Cities is at its best when arguing for the dense city (as against the suburbs and rural areas), as the most sustainable, ecologically responsiblle form of habitation for the coming century. Material that can be dry (the mechanics of tax-increment financing, or the relative ecological impact of various housing densities) are enlivened by excellent infographics and enough aphoristic slogans to please a latenight pitchman on cable TV.
Chakrabarti is both an academic planner and a practitioner (he is a partner at SHoP Architects, in New York), and he makes no secret of his belief in real-estate development as the key to the city's future. New Urbanists may not agree with his prescription of tall buildings as an elixir to urban problems, and there are occasional moments when the book seems a bit self-promotional, but it nevertheless stands as a critically important argument, fully worthy of attention.
Labrouste essentially invented the modern public library as a typology when he built the Bibliothèque St. Geneviève and then the Bibliothèque Nationale in Paris in the 19th century. These works, detailed with exceptional Beaux Arts precision—as a draftsman, Labrouste had no equal—first celebrated iron as a structural element in works of grand architectural ambition, suggesting that it could be used in typologies that were not only industrial. For this, he has been understood as a proto-modernist. But as Barry Bergdoll notes in this exceptional book, successive generations have adopted Labrouste and interpreted his work to suit their own ideological proclivities. That is likely to happen again, with the library a typology now being reinvented for a new century.
James Stirling has been experiencing a bit of a renaissance over the past couple of years, and it's both overdue and unfortunate that he's no longer around to experience it. (He died in 1992, having been tagged with that most unfortunate of labels: "postmodernist.") Not quite a monograph, and not quite a history, but a bit of both, here Reeser Lawrence surveys the arc of Stirling's career by focusing in depth on a series of six projects, some built and others not. While academic studies of this type are typically jargon-ridden and dense to the point of obfuscation, this one is blessedly clear-eyed, written in straightforward and engaging prose that is no less incisive for its transparency. It is serious architectural history as it should be, devoted to a complex and challenging subject that warrants the attention.
This book accompanies an unwieldily scattershot show that was not successful in defending its thesis that Le Corbusier was “profoundly rooted in nature in landscape,” except in the most anodyne reading of that phrase. The catalogue is similarly unwieldy, but in this case diversity is a strength.
A great omnibus of Le Corbusier scholarship, it presents nearly 75 essays on the master’s works, organized in “atlas” form. (Each continent is represented with a wonderful graphic showing built and unbuilt works, and the architect's travels.) The essays vary in relative interest and brio, but the whole makes for an indispensable and handsome resource to be sampled with great pleasure.
The Pinecone tells the story of an heiress from a corner of the verdant English countryside who devotes herself to building a small parish church of considerable charm and idiosyncracy. Uglow tells the story with such evident affection for her subject that she dispels any doubts the reader might have as to the actual level of genius involved, and opens a window into a time and space that seems at once remote and familiar.
Announcements
Now is Better by Stefan Sagmeister
Now is Better
By Stefan Sagmeister
Publisher: Phaidon Press
Published: October 2023
Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.
Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli
Design Emergency: Building a Better Future
By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Published: May 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
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Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Published: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Milton Glaser: POP by Steven Heller, Mirko Ilić, and Beth Kleber
Milton Glaser: POP
By Steven Heller, Mirko Ilić, and Beth Kleber
Publisher: The Monacelli Press
Published: March 2023
This collection of work from graphci design legend Milton Glaser’s Pop period features hundreds of examples of the designer’s work that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.
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Meet Me by the Fountain: An Inside History of the Mall by Alexandra Lange
Meet Me by the Fountain: An Inside History of the Mall
By Alexandra Lange
Publisher: Bloomsbury
Published: June 2022
Chronicles postwar architects’ and merchants’ invention of the shopping mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. Publishers Weekly writes, “Contending that malls answer ‘the basic human need’ of bringing people together, influential design critic Lange advocates for retrofitting abandoned shopping centers into college campuses, senior housing, and ‘ethnocentric marketplaces’ catering to immigrant communities. Lucid and well researched, this is an insightful study of an overlooked and undervalued architectural form.”
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition)
By Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Publisher: Letterform Archives Books
Published: October 2023
This facsimile edition of Die Fläche, recreates every page of the formative design periodical in full color and at original size, accompanied by essays that contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new “surface art,” including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann.
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