Rudy VanderLans was born in the Netherlands in 1955. He studied graphic design at the Royal Academy of Art in The Hague and graduated in 1979. Upon graduation, he worked as an apprentice and junior designer at Total Design, Tel Design, and Vorm Vijf. In 1981 he moved to California to study photography in the graduate program at the University of California, Berkeley.
From 1984 to 2005, VanderLans published, edited, and designed Emigre magazine, a quarterly publication devoted to visual communication. Shortly after Emigre magazine was launched, in 1984, the Macintosh computer was introduced. VanderLans, together with his wife, Zuzana Licko, became early adaptors of the new technology and they used the computer to experiment and created some of the very first digital layouts and typeface designs, causing great consternation within the realm of graphic design. Eventually, exposure of the typefaces in Emigre magazine resulted in demand for the fonts, which led to the creation of the Emigre type foundry. This growing library of digital typefaces, both experimental and traditional, is currently the principal activity and mainstay of Emigre.
As a parallel interest to his design ventures, VanderLans has been photographing the California environment since he moved there from the Netherlands in 1981. He has authored a total of six photographic books on the topic.
As a team, Emigre has been honored with numerous awards, including the 1994 Chrysler Award for Innovation in Design and the 1998 Charles Nypels Award for excellence in the field of typography. Emigre is also a recipient of the 1997 American Institute of Graphic Arts Gold Medal Award, its highest honor. In October 2010 the Emigre team members were inducted as Honorary Members of the Society of Typographic Arts, Chicago. VanderLans is the recipient of honorary Ph.D. degrees from both the Rhode Island School of Design (2005) and the California Institute of the Arts (2006).
Complete sets of Emigre magazine are in the permanent collections of The Museum of Modern Art in New York, The Denver Art Museum, the Museum of Modern Art in San Francisco, the Museum für Gestaltung in Zurich, the Bibliothèque Nationale de France, The Bancroft Library, and many other institutions around the world. In 2011, five digital typefaces from the Emigre Type Library were acquired by MoMA, New York for its Design and Architecture collection.
Announcements
Now is Better by Stefan Sagmeister
Now is Better
By Stefan Sagmeister
Publisher: Phaidon Press
Published: October 2023
Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.
Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli
Design Emergency: Building a Better Future
By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Published: May 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Published: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Milton Glaser: POP by Steven Heller, Mirko Ilić, and Beth Kleber
Milton Glaser: POP
By Steven Heller, Mirko Ilić, and Beth Kleber
Publisher: The Monacelli Press
Published: March 2023
This collection of work from graphci design legend Milton Glaser’s Pop period features hundreds of examples of the designer’s work that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.
Meet Me by the Fountain: An Inside History of the Mall by Alexandra Lange
Meet Me by the Fountain: An Inside History of the Mall
By Alexandra Lange
Publisher: Bloomsbury
Published: June 2022
Chronicles postwar architects’ and merchants’ invention of the shopping mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. Publishers Weekly writes, “Contending that malls answer ‘the basic human need’ of bringing people together, influential design critic Lange advocates for retrofitting abandoned shopping centers into college campuses, senior housing, and ‘ethnocentric marketplaces’ catering to immigrant communities. Lucid and well researched, this is an insightful study of an overlooked and undervalued architectural form.”
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition)
By Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Publisher: Letterform Archives Books
Published: October 2023
This facsimile edition of Die Fläche, recreates every page of the formative design periodical in full color and at original size, accompanied by essays that contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new “surface art,” including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann.
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