Amanda Dameron
Design Editor’s Choice: Amanda Dameron’s Book List
Reading has always been a simple pleasure for me, something I’m driven to do. I don’t remember a time in which I didn’t know how to read—though perhaps I should say I don’t remember a time in which I didn’t know how to lose myself by simply enjoying a book.
Last year I moved from the West Coast to New York, and I barely brought any furniture or clothes with me. What I did bring was 50 boxes of books and vintage magazines. For the first time in my life, I am lucky enough to have enough bookcase space to display all of my collection.
My list contains books that have seeded my design education, books that have contributed to my understanding of and appreciation for editing, and books that have simply delighted me.
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I picked this one up at the Monterey Design Conference last year, knowing that the architect and artist Ai Weiwei had maintained an important online diary that had contained his musings on art, politics, design, furniture, people, and a great deal many other things. I knew that the Chinese government had shut the blog down on several occasions but had done little to dampen the author’s influence both in his own country and abroad. The way that it’s written and printed, with many entries, some short, some longer, make it possible to open this book at any page and get sucked in immediately. I just opened it, and I landed on this: “Writing one’s feelings is simple, but can also be a difficult thing, for at least the following reasons: You can’t be sure this is really what you are thinking; If you write something down, it will never be anything else; It’s difficult to maintain a good writer’s posture from beginning to end.”
This is a recent acquisition. I’ve long known of Muthesius, founder of the Deutscher Werkbund, and his influence on the modern architecture movement in Germany, but I’d never read any of his own published works until I ordered this one. I was prepared for a scholarly take on the decorative arts, but what I was not prepared for is his arch wit and social commentary. This is an essential read for anyone wishing to get a sense of popular aesthetic impulses at the turn of the last century. It really helped me frame my own understanding of just how shocking the modern movement was to the prevailing winds of the time.
I received this book for my 11th birthday, at the height of my infatuation with mythology. The inscription reads: “To Amanda—I couldn’t find this in Latin or Greek, which I know you would have preferred”—this a gentle joke at my expense, as this was the same year I started as a first-year Latin student and let’s say I didn’t quite have a shining aptitude for conjugating dead-language verbs. In any case, this is a much-beloved book and one that always reminds me that though the subject matter has changed, I remain the same reader.
Every time I have the opportunity to travel in Europe, I peruse this book, assembled by Stimpson, a professor at Brigham Young University. Within it are simple line drawings of structures of note, organized by country, with a small paragraph of explanation accompanying the illustration. It was published in the mid-1980s and it’s an incredible resource for travelers or for lovers of modern architecture in general.
My copy of this book is old and smells like mold. It was another second-hand purchase, and it once belonged to a library. Not only do I love the wit and clarity found in Nelson’s writing, I also love the way this book is composed. Whether he’s dealing with the visual pollution clogging our daily lives, the necessity of avoiding “the monstrosity of sprawl,” or the proper way to “read” a painting or a sign, Nelson is a patient but forthright teacher for training oneself to embrace the right kind of sight.
This book has aided in my technical understanding of prefab construction like no other. Written for architects and design and construction professionals, Smith’s book is packed with informative background on the methodology of prefab. Though I am not a building professional, the content presented is easy to understand and parse. Smith presents case studies, interviews with architects in the field, and the book contains a multitude of photographs and illustrations that reinforce the ideas within the pages. I return to this book again and again.
This book is a touching tribute to the incomparable William Shawn, the editor of The New Yorker from 1952 to 1987, written by one of his long-standing contributing writers, Ved Mehta. I’ve long been interested in the life of Mr. Shawn, who was an exceedingly sensitive editor, a staunch defender of writers, and a complicated man in his personal life. This book helped me understand why he was considered such a great editor: he listened and focused on the ideas and words of the writers, but he did not rewrite. A good editor is flexible, but stands firm when needed, not without emotion but without ego.
I studied this book in college, but it wasn’t until I started working for Dwell that I purchased a second-hand copy for my bookshelves. This collection of 37 essays, penned by everyone from Mumford himself to Philip Johnson and Henry David Thoreau, has solidified my foundational knowledge of architecture and filled in the gaps of my design education. This is not a book that’s meant to be read cover-to-cover, at least, not for me. I read one essay at a time, and I return to them again and again. My favorite time to tackle these essays is first thing in the morning, on the train to work. Then I try to turn the ideas over in my mind over the course of the day, and I return to the same essay on my way home. I won’t say that I can quote it from memory or that I have completely mastered the ideas contained within the pages, but it’s a book that I try to challenge myself with on a regular basis.
Written in the first half of the 18th century by Lady Mary Wortley, wife of an ambassador to Turkey, this book is one of the finest collections of travel essays I’ve read. Her language is so evocative, the details she notes about the people, buildings, places she visits are beautiful without being florid. Her narrative style is objective without being dispassionate, engaging and innately curious.
Announcements
Now is Better by Stefan Sagmeister
Now is Better
By Stefan Sagmeister
Publisher: Phaidon Press
Published: October 2023
Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.
Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli
Design Emergency: Building a Better Future
By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Published: May 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
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Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Published: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Milton Glaser: POP by Steven Heller, Mirko Ilić, and Beth Kleber
Milton Glaser: POP
By Steven Heller, Mirko Ilić, and Beth Kleber
Publisher: The Monacelli Press
Published: March 2023
This collection of work from graphci design legend Milton Glaser’s Pop period features hundreds of examples of the designer’s work that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.
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Meet Me by the Fountain: An Inside History of the Mall by Alexandra Lange
Meet Me by the Fountain: An Inside History of the Mall
By Alexandra Lange
Publisher: Bloomsbury
Published: June 2022
Chronicles postwar architects’ and merchants’ invention of the shopping mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. Publishers Weekly writes, “Contending that malls answer ‘the basic human need’ of bringing people together, influential design critic Lange advocates for retrofitting abandoned shopping centers into college campuses, senior housing, and ‘ethnocentric marketplaces’ catering to immigrant communities. Lucid and well researched, this is an insightful study of an overlooked and undervalued architectural form.”
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition)
By Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Publisher: Letterform Archives Books
Published: October 2023
This facsimile edition of Die Fläche, recreates every page of the formative design periodical in full color and at original size, accompanied by essays that contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new “surface art,” including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann.
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