|
The Uncommon Numbers Trilogy |
Zoby, Brenda Casey |
|
Typographic Variations (Typographische Variationen) |
Zapf, Hermann |
|
Fonts & Logos |
Young, Doyald |
|
Prop Art |
Yanker, Gary |
|
The Beauty of Chinese Calligraphy: Dancing Cursive (漢字書法之美—舞動行草) |
Xun, Jiang |
|
Thinking Print |
Wye, Deborah |
|
Information Anxiety 2 |
Wurman, Richard Saul |
|
33 |
Wurman, Richard Saul |
|
Information Architects |
Wurman, Richard Saul et al. |
|
The Graphic Language of Neville Brody |
Wozencroft, Jon et al. |
|
Two Lines Align |
Worthington, Michael |
|
Rolling Stone: The Illustrated Portraits |
Woodward, Fred |
|
Everything Sings: Maps for a Narrative Atlas |
Wood, Denis |
|
Bauhaus: Weimar, Dessau, Berlin, Chicago |
Wingler, Hans |
|
The Map that Changed the World |
Winchester, Simon |
|
Mendell & Oberer |
Wichmann, Hans |
|
Introduction to the Method of Leonardo da Vinci |
Valéry, Paul |
|
Printing, 1770-1970 |
Twyman, Michael et al. |
|
Envisioning Information |
Tufte, Edward R. |
|
The Visual Display of Quantitative Information |
Tufte, Edward R. |
|
Visual Explanations |
Tufte, Edward R. |
|
Beautiful Evidence |
Tufte, Edward R. |
|
The Form of the Book |
Tschichold, Jan et al. |
|
Ausgewählte Aufsätze über Fragen der Gestalt des Buches und der Typographie (The Form of the Book: Essays on the Morality of Good Design) |
Tschichold, Jan |
|
Russian Decorative Arts 1917-1937 |
Tolstoy, Vladimir |
|
Three Found Fonts |
Tilson, Jake |
|
The Work of Hipgnosis |
Thorgerson, Storm |
|
The Dictionary of Visual Language |
Thompson, Philip et al. |
|
Invisible Art |
The Art Brothers, |
|
The World Must Change: Graphic Design and Idealism |
Duis, Leonie ten et al. |
|
Design Going Forward (與設計向前行) |
Tanaka, Ikko |
|
Japan Design |
Tanaka, Ikko |
|
Prague–New York |
Sutnar, Ladislav |
|
Suterisms |
Suter, David |
|
The Elements of Style (illustrated) |
Strunk, William et al. |
|
Steinberg |
Steinberg, Saul |
|
Stop Stealing Sheep & Find Out How Type Works |
Spiekermann, Erik |
|
The Visible Word |
Spencer, Herbert |
|
Pioneers of Modern Typography |
Spencer, Herbert |
|
The Styles of Ornament |
Speltz, Alexander |
|
Make It Bigger |
Scher, Paula |
|
Maira Kalman: Various Illuminations (of a Crazy World) |
Schaffner, Ingrid |
|
Barcelona Gráfica |
Sánchez, América |
|
Things I Have Learned in My Life So Far |
Sagmeister, Stefan |
|
Typographie: A Manual of Design (Typographie: ein Gestaltungslehrbuch = Typography: A Manual of Design = Typographie: un manuel de création) |
Ruder, Emil |
|
The Russian Avant-Garde Book 1910–1934 |
Rowell, Margit |
|
ABZ: More Alphabets and Other Signs |
Rothenstein, Julian et al. |
|
Where the Suckers Moon |
Rothenberg, Randall |
|
Campo Grafico, 1933–1939 |
Rossi, Attilo |
|
The Typographic Desk Reference |
Rosendorf, Theodore |
|
Saul Steinberg |
Rosenberg, Harold |
|
Lester Beall |
Remington, R. Roger |
|
Grafika: Modern Design for Advertising and Printing |
Reiner, Imre |
|
Ounce, Dice, Trice |
Reid, Alastair |
|
Legibility: A Typographic Book of Etiquette |
Reichl, Ernst |
|
The Illustrator in America, 1860–2000 |
Reed, Walt |
|
Alex Steinweiss: The Inventor of the Modern Album Cover |
Reagan, Kevin et al. |
|
Thoughts on Design |
Rand, Paul |
|
A Designer’s Art |
Rand, Paul |
|
Alexey Brodovitch |
Purcell, William Kerry |
|
What is a Designer |
Potter, Norman |
|
Tools of the Imagination |
Piedmont-Palladino, Susan C. |
|
Schriftenatlas |
Petzendorfer, Ludwig |
|
Rookledge’s International Typefinder |
Perfect, Christopher et al. |
|
Typoésie |
Peignot, Jérôme |
|
Film Posters of the Russian Avant-Garde |
Pack, Susan |
|
Alexander Girard |
Oldham, Todd et al. |
|
Abstract City |
Niemann, Christoph |
|
Word and Image |
Museum van Hedendaagse Kunst Antwerpen (MuHKA) |
|
Speak Italian: The Fine Art of the Gesture |
Munari, Bruno |
|
Design as Art |
Munari, Bruno |
|
A. M. Cassandre |
Mouron, Henri et al. |
|
Stanley Morison |
Moran, James |
|
Lo Studio Boggeri 1933–1981 |
Monguzzi, Bruno |
|
Wayshowing |
Mollerup, Per |
|
Pig 05049 |
Meindertsma, Christien |
|
The Medium is the Massage |
McLuhan, Marshall et al. |
|
Typographers on Type |
McLean, Ruari |
|
Victorian Publishers’ Book-Bindings in Cloth & Leather |
McLean, Ruari |
|
Jan Tschichold |
McLean, Ruari |
|
Understanding Comics |
McCloud, Scott |
|
Information Is Beautiful |
McCandless, David |
|
A Smile in the Mind |
McAlhone, Beryl et al. |
|
Letter and Image |
Massin, Robert |
|
Printed Matter |
Martens, Karel et al. |
|
Blue Note |
Marsh, Graham et al. |
|
Maurice Sendak: A Celebration of the Artist and His Work |
Marcus, Leonard S. |
|
American Signs: Form and Meaning on Route 66 |
Mahar, Lisa |
|
La Lettera Uccide (The Letter Kills) |
Lussu, Giovanni |
|
Design/Writing/Research: Writing on Graphic Design |
Lupton, Ellen et al. |
|
Don Quixote |
Long, Gareth |
|
Damn Good Advice (For People with Talent!) |
Lois, George |
|
George, Be Careful |
Lois, George |
|
The Art of Advertising: George Lois on Mass Communication |
Lois, George |
|
Le Livre futuriste |
Lista, Giovanni |
|
Air Made Visible |
Lichenstein, Claude et al. |
|
Printed Ephemera |
Lewis, John |
|
Books for Our Time |
Lee, Marshall et al. |
|
Enfolding Life (生活與承載) |
Lau, Freeman |
|
The Charm of Chinese Characters (漢字的魅力) |
Lang, Cang |
|
Schiff nach Europa |
Kutter, Markus |
|
Lothar Meggendorfers Spielwelt |
Krahé, Hildegard |
|
NSCI: Das visuelle Erscheinungsbild der Nationalsozialisten 1920–1945 (The Visual Appearance of the Nazis 1920–1945) |
Koop, Andreas |
|
In the Groove |
Kohler, Eric |
|
The Book of Signs |
Koch, Rudolf et al. |
|
Women Designers in the USA, 1900–2000 |
Kirkham, Pat |
|
Modern Typography: An Essay in Critical History |
Kinross, Robin |
|
Robert Brownjohn: Sex and Typography |
King, Emily |
|
Module, Proportion, Symmetry, Rhythm (Vision + Value Series) |
Kepes, Gyorgy |
|
American Wood Type, 1828–1900 |
Kelly, Rob Roy |
|
The Principles of Uncertainty |
Kalman, Maira |
|
A Comparison of Package Designs in Japan and Europe |
Japan Package Design Association |
|
Rock, Scissors, Paper |
Igarashi, Takenobu |
|
Space Graphics |
Igarashi, Takenobu |
|
Label Design |
Humbert, Claude |
|
Handbook of Early Advertising Art |
Hornung, Clarence |
|
William Tell |
Honegger-Lavater, Warja |
|
How Brands Become Icons |
Holt, Douglas B. |
|
Pictorial Maps |
Holmes, Nigel |
|
Swiss Graphic Design |
Hollis, Richard |
|
Graphic Design: A Concise History |
Hollis, Richard |
|
From Cave Painting to Comic Strip |
Hogben, Lancelot Thomas |
|
Graphic Design Manual |
Hofmann, Armin |
|
Hirschfeld: Art and Recollections from Eight Decades |
Hirschfeld, Al |
|
Dorfsman & CBS |
Hess, Dick et al. |
|
Toothpicks and Logos |
Heskett, John |
|
AGI Annals |
Henrion, F. H. K. |
|
Graphic Style |
Heller, Steven et al. |
|
Born Modern |
Heller, Steven et al. |
|
Innovators of American Illustration |
Heller, Steven |
|
Merz to Emigre and Beyond |
Heller, Steven |
|
You Are Here |
Harmon, Katharine |
|
Haptic |
Hara, Kenya |
|
Elements of Design |
Hannah, Gail Greet |
|
Pomona Houses |
Hafif, Marcia |
|
Graphic Texts |
GRAPHIC team, et al. |
|
Theory of Colours |
Goethe, Johann Wolfgang von |
|
Milton Glaser: Graphic Design |
Glaser, Milton |
|
An Essay on Typography |
Gill, Eric |
|
Graphic Design as a Second Language |
Gill, Bob |
|
Forget All the Rules You Ever Learned About Graphic Design, Including the Ones in This Book |
Gill, Bob |
|
Unspecial Effects for Graphic Designers |
Gill, Bob |
|
Aim for a Job in Graphic Design/Art |
Fujita, S. Neil |
|
Signs and Symbols |
Frutiger, Adrian |
|
Adrian Frutiger—Typefaces: The Complete Works |
Frutiger, Adrian et al. |
|
Rudo Spemann (1905-1947) |
Offenbach, Germany, Friends of the Klingspor-Museum |
|
Graphic Design |
Friend, Leon et al. |
|
Graphic Design in America |
Friedman, Mildred S. |
|
The Art of Looking Sideways |
Fletcher, Alan |
|
Beware Wet Paint |
Fletcher, Alan |
|
Max Bill: Typography, Advertising, Book Design |
Fleischmann, Gerd et al. |
|
French Modern |
Heller, Steven et al. |
|
Word and Image: Posters from the Collection of The Museum of Modern Art |
Fern, Alan |
|
Identity Kits |
Facetti, Germano et al. |
|
Pictures on a Page |
Evans, Harold |
|
The Stamp of Fantasy |
Eskildsen, Ute |
|
The World of M. C. Escher |
Escher, M. C. |
|
Rodchenko and the Arts of Revolutionary Russia |
Elliott, David |
|
A Grammar of Chinese Lattice |
Dye, Daniel Sheets |
|
Ornament |
Durant, Stuart |
|
Art Nouveau and Art Deco Bookbinding |
Duncan, Alastair et al. |
|
The Visible Word: Experimental Typography and Modern Art, 1909-1923 |
Drucker, Johanna |
|
Graphic Design History: A Critical Guide |
Drucker, Johanna et al. |
|
Shapes for Sounds |
Donaldson, Timothy |
|
Numero Unico Futurista Campari 1931; Futurismo 1932; Dinamo Futurista 1933 |
Depero, Fortunato |
|
From Those Wonderful Folks Who Gave You Pearl Harbor |
Della Femina, Jerry |
|
Type: A Visual History of Typefaces and Graphic Styles 1628-1900 |
De Jong, Cees et al. |
|
Posters by the Members of the Alliance Graphique Internationale 1960–1985 |
Harak, Rudolph de |
|
Pattern Design |
Day, Lewis F. |
|
Révolution typographique |
Damase, Jacques |
|
La Lettre Peinte Décorative |
Dacosta, Philippe |
|
Line and Form |
Crane, Walter |
|
Revolutionary Soviet Film Posters |
Constantine, Mildred et al. |
|
Design and Art (Documents of Contemporary Art) |
Coles, Alex |
|
The Handy Book of Artistic Printing |
Clouse, Doug et al. |
|
Hidden Forms |
Clivio, Franco et al. |
|
The Push Pin Graphic |
Chwast, Seymour |
|
The Calligrapher’s Handbook |
Child, Heather |
|
Designing: |
Chermayeff, Ivan et al. |
|
Nox |
Carson, Anne |
|
By Design |
Caplan, Ralph |
|
Perché un libro su Enzo Mari (Why Write a Book on Enzo Mari) |
Burkhardt, François et al. |
|
Information Ecology: Bayer’s Book of Maps |
Burgos, Nate |
|
Dutch Graphic Design |
Broos, C et al. |
|
The Graphic Artist and His Design Problems |
Müller-Brockmann, Josef |
|
The Elements of Typographic Style |
Bringhurst, Robert |
|
Recollections of the Lyceum & Chautauqua Circuits |
Briggs, Irene et al. |
|
Cities of the World |
Braun, Georg et al. |
|
Wiener Werkstätte, Design in Vienna 1903-1932 |
Brandstätter, Christian |
|
Mathematische Grundlagen zur Satzherstellung |
Bosshard, Hans Rudolf |
|
Technische Grundlagen zur Satzherstellung |
Bosshard, Hans Rudolf |
|
My Work Is Not My Work: Pierre Bernard, Design for the Public Domain |
Boekraad, Hugues |
|
Seventy-nine Short Essays on Design |
Bierut, Michael |
|
Tibor Kalman: Perverse Optimist |
Bierut, Michael et al. |
|
Il Sogno della Merce (The Dream of Goods) |
Baudrillard, Jean et al. |
|
Barnbrook Bible |
Barnbrook, Jonathan |
|
Typographie |
Bangerter, Walter et al. |
|
Super Constellation |
Asendorf, Christoph |
|
Specimen Book and Catalogue, 1923 |
American Type Founders Company, |
|
The Beatles Illustrated Lyrics 2 |
Aldridge, Alan |
|
Analogous and Digital |
Aicher, Otl |
|
Else/Where |
Abrams, Janet et al. |
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