Designers & Books Blog

 

856 blog entries
By Ed Ng August 19, 2013

The writer creates a curiosity in the reader, and describes how we can plan and create a spatial experience in design.

By Ellen Lupton November 7, 2013

This oversized compendium of Bauhaus source material was designed with ruthless rationality for MIT Press by the great Muriel Cooper. It is the Old Testament of design theory.

 

By Ellen Lupton June 23, 2014

In his crisp, smart narrative, Hollis follows the profession from the late 19th century to the close of the 20th. His book is small enough to fit in your purse and rich enough to account for the basic history of our profession.

By Ellen Lupton August 21, 2013

No writer or designer should be deprived of Kalman’s ingenious reissue of this useful book.

By Ellen Lupton October 27, 2014

Typography manuals abound, but few are a pleasure to read, handle, and behold. Bringhurst’s book is one of the best guides ever devised on the principles and practices of typography.

October 6, 2022

In spite of being almost 100 years old, this book retains the power of its clarity of vision and purity of ideals and intent. How can you disagree with: “beauty being the overplus necessary to the human spirit.” Or with a reference to poetry—which “not only lies in the written word. Objects which signify something and which are arranged with talent and with tact create a poetic fact.”

 

By Emanuela Frattini Magnusson January 27, 2014

A seductive and plausible picture of a future digital economy where the power and return generated by owning big data are distributed equally to all of its suppliers: us.

By Erik Spiekermann October 8, 2013

Whenever students of visual communication ask for my recommendation, I mention this book as the first thing they should read.

By Eva Zeisel October 16, 2013

This 1900 work was an important book for me. Crane talks about expressive and communicative line. I often referred to it in my lectures.

By Farshid Moussavi September 6, 2013

Arranges texts, projects, and images about the contemporary city according to scale, rather than time or subject. In doing so, rather than simply representing them as they happened, it opens each to overlaps, new connections, and new readings.