A World Without Words
From the Publisher. What feeds the inspiration of the designer? Observation. In Jasper Morrison’s collection of photographs found in his own collection of books, icons of design history meet up with the unassuming objects of everyday life, and curious findings with the archetypes of modernism. Every picture tells a story and in juxtaposition with its neighbor a new one is also created—without words, in the language of form. Morrison responds to the arbitrariness of form with simplicity and complexity, poetry and humor in a repertoire of compelling designs. A World Without Words is a school of seeing that addresses both designers and consumers who wish to explore the universe of goods.
The book is based on a slide show Morrison assembled in lieu of a lecture he was asked to give in 1988 at the Instituto Europeo in Milan.
This book begins with a slightly battered photograph of a rumpled Jean Prouvé drawing an outline with chalk on a blackboard. The next page shows a section of one of Buckminster Fuller’s Dymaxion Cars, and the page after that what looks like Arabic calligraphy but turns out to be a visual record of the movement of the tip of a bird’s wing in flight. Each page bears a single image and among them are photographs of a matador, one of Charles and Ray Eames’s plywood leg splints, fishermen’s huts in the English seaside town of Hastings, an Yves Klein painting, a dust pan, the Piaggio scooter factory, and lots of chairs.
A World Without Words consists of the contents of a slide show assembled by the British product designer Jasper Morrison in lieu of a lecture he was asked to give in 1988 at the Istituto Europeo in Milan. As Morrison hated the idea of public speaking, he suggested sending a slideshow instead, and compiled it from images from his book collection. As a student, he had earned extra money by buying and selling second-hand design books. Four years later, the slide show was turned into a book by Morrison’s friend, the late graphic designer Tony Arefin. A World Without Words is one of the most eloquent design manifestos I have seen, and an intriguing insight into the thinking of a young product designer who was to become a defining figure in contemporary design.
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