Event > Exhibition

Venetian Glass by Carlo Scarpa: The Venini Company, 1932–1947

New York February 7, 2014

Details

Through March 2, 2014
The Metropolitan Museum of Art
New York

“Venetian Glass by Carlo Scarpa: The Venini Company, 1932–1947” is an adaptation of “Carlo Scarpa. Venini 1932–1947,” organized by the Fondazione Giorgio Cini, Venice, and Pentagram Stiftung for presentation at Le Stanze del Vetro, Venice, in 2012.

See our article “Carlo Scarpa: Connecting the Glass Artist and the Architect.”

Carlo Scarpa (Italian, 1906–1978) created a singular and multifaceted body of work in architecture and design. Born in Venice, Scarpa studied architecture at the Accademia di Belle Arti there, graduating in 1926. His exploration of the medium of glass began while he worked at MVM Cappellin glassworks between 1926 and 1931. However, it was Scarpa's next post at Venini where he redefined the parameters of glassblowing in terms of aesthetics and technical innovation.

Rigati e tessuti glass pieces designed by Carlo Scarpa for Venini, ca. 1938–1940. Private collection; Chiara and Francesco Carraro Collection, Venice; European Collection

In 1932, while in his mid-twenties, Scarpa was hired by Paolo Venini, the company's founder, as an artistic consultant. Located on the Venetian island of Murano, where the glassblowing tradition reaches back hundreds of years, the Venini factory quickly became a center of innovation, with Scarpa leading the way. Until 1947, he worked closely with Venini master glassblowers and Mr. Venini himself to create over two dozen styles, in the process pioneering techniques, silhouettes, and colors that thoroughly modernized the ancient tradition of glassblowing. Their collaboration was put on display at important international showcases such as the Milan Triennale and Venice Biennale in Italy during the 1930s and 1940s.

Organized chronologically, the pieces in the exhibition will be divided into groups according to technique. Radical in nature, Scarpa's glass designs went far beyond being perceived merely as decorative or utilitarian objects. They immediately attracted the attention of critics, one of whom wrote that “this production is really at the avant-garde of modernity.”

The exhibition is made possible in part by the Jane and Robert Carroll Fund.

comments powered by Disqus

Announcements

Now is Better by Stefan Sagmeister

Now is Better

By Stefan Sagmeister
Publisher: Phaidon Press
Published: October 2023

Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.

Order the book.

Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli

Design Emergency: Building a Better Future

By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Published: May 2022

Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.

Order the book.

Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman

Why Design Matters: Conversations with the World's Most Creative People

By Debbie Millman
Publisher: Harper Design
Published: February 22, 2022

Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.

Order the book.

Milton Glaser: POP by Steven Heller, Mirko Ilić, and Beth Kleber

Milton Glaser: POP

By Steven Heller, Mirko Ilić, and Beth Kleber
Publisher: The Monacelli Press
Published: March 2023

This collection of work from graphci design legend Milton Glaser’s Pop period features hundreds of examples of the designer’s work that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.

Order the book.

Meet Me by the Fountain: An Inside History of the Mall by Alexandra Lange

Meet Me by the Fountain: An Inside History of the Mall

By Alexandra Lange
Publisher: Bloomsbury
Published: June 2022

Chronicles postwar architects’ and merchants’ invention of the shopping mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. Publishers Weekly writes, “Contending that malls answer ‘the basic human need’ of bringing people together, influential design critic Lange advocates for retrofitting abandoned shopping centers into college campuses, senior housing, and ‘ethnocentric marketplaces’ catering to immigrant communities. Lucid and well researched, this is an insightful study of an overlooked and undervalued architectural form.”

Order the book.

Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller

Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition)

By Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Publisher: Letterform Archives Books
Published: October 2023

This facsimile edition of Die Fläche, recreates every page of the formative design periodical in full color and at original size, accompanied by essays that contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new “surface art,” including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann.

Order the book.