Quote of the Day

 

183 blog entries
By Phyllis Lambert September 16, 2013

When architectural history was mostly concerned, like art history, with connoisseurship, reading James Ackerman’s Palladio was a huge relief to me in 1974 when it was first published, confirming my own interest on architecture in the city.

By Julie Lasky November 5, 2013

Read it for the fresh perspective it offers on the timeless debate over photography’s value as a tool of revelation versus distortion, of consciousness-raising versus manipulation.

By Warren Lehrer November 4, 2013

Text and image are nearly inseparable. A reader needs to engage the narrative whose lines can cascade, flow, collide, and disperse. It is a completely legible read—you just need to be game to traverse time and story on Laxson’s terms—a suspension I think most readers yearn for in a good book.

By Daniel Libeskind November 5, 2019

This was my first, and still favorite, art book—I bought it with all my savings. My favorite Cubist by far.

By Daniel Libeskind October 6, 2014

Amazing how a book of drawings and ideas is much more inspiring than a book of techniques and buildings!

By Zuzana Licko January 26, 2015

One of the first books I read about design when I began my studies, it opened my eyes to the role that typefaces, and their design and implementation, play in communication. The answers may have less longevity than the questions the book poses.

By George Lois September 18, 2013

A personal reflection of instinct, intelligence, and survival—the three intersecting impulses of creativity.

By Ellen Lupton October 27, 2014

Typography manuals abound, but few are a pleasure to read, handle, and behold. Bringhurst’s book is one of the best guides ever devised on the principles and practices of typography.

By Ellen Lupton June 23, 2014

In his crisp, smart narrative, Hollis follows the profession from the late 19th century to the close of the 20th. His book is small enough to fit in your purse and rich enough to account for the basic history of our profession.

By Ellen Lupton November 7, 2013

This oversized compendium of Bauhaus source material was designed with ruthless rationality for MIT Press by the great Muriel Cooper. It is the Old Testament of design theory.